Filmed at
A Leicestershire wedding videographer works with a county that sits at the centre of England. The landscape is gentle - rolling farmland, market towns, established estates. It does not have the drama of the Lake District or the prestige of the Cotswolds. What it has instead is character, accessibility, and a wedding scene that attracts couples who value substance over spectacle.
Leicestershire venues range from converted barns and country house hotels to private estates and historic properties. The county draws couples from across the Midlands and beyond - professionals who want a proper country wedding within reasonable distance of Birmingham, Nottingham, and London. They are choosing Leicestershire because the venues are good, the landscape is honest, and the county does not come with the inflated expectations of more fashionable wedding destinations.
Well-known venues like Stapleford Park, Prestwold Hall, and Mythe Barn define the region's reputation. But it is the Leicestershire countryside itself - working farmland, established hedgerows, quiet lanes - that provides the visual foundation for filming here.
I'm Chris Oxley. I film weddings at country houses and private estates across the UK.
I started this because when I got married in 2015, we didn't have a videographer. I wanted to build something I wished had existed for us. Films that hold up years later. A real record of a real day, not a montage of prompted moments.
I handle the consultation, the filming, the edit, the grade, and the delivery. Fifteen weddings a year, and I'm personally at every one.
Recognition: TWIA Regional Finalist
Venues Include: Grantley Hall, Froyle Park, Storrs Hall, Brympton House and 15+ leading venues
Leicestershire couples tend to be practical and decisive. They have chosen their venue after careful research and they expect a videographer who respects that process. They are not looking for someone to explain their venue to them. They want someone who understands the type of property and can demonstrate relevant experience.
Many Leicestershire couples are established professionals who value clear communication and efficient service. They are comparing you based on portfolio quality, relevant experience, and professional reputation. They want straightforward answers about what you deliver, how you work, and what the finished product looks like. Creative philosophising is less important than demonstrated competence. They want a film that captures their day honestly and looks good in five years' time.
Many wedding videographers arrive with a shot list. I don't. I arrive early, stay quiet, and pay attention. The film comes from what actually happens. I might offer the occasional quiet prompt when it matters, but I'm not staging moments or running through the same poses as everyone else.
I tend to work with couples based in and around London who want something honest. A real record of a real day. Not a highlight reel built from the same five moments as everyone else's.
I film fifteen weddings a year. That number lets me edit every film personally, respond to every email myself, and still show up fully present on your day. Every frame graded and cut by me. No outsourced editing. No house style.
Weddings per year, by design, not accident
A single point of contact — always me
Years filming at UK country houses and private estates
"We don’t even know where to start! Hiring Chris to shoot our wedding video was the BEST decision we made for our wedding. From the first meeting we had to discuss his style and approach, we knew we were on to the right person. Chris’ attention to detail is parallel to none."
"We weren’t originally going to get a videographer but it was worth every penny. The whole day is so much to process that you forget bits after. Having this video to treasure forever was the perfect way to cure the wedding blues."
"Before meeting Chris, we weren’t sure how to appear on film. After working with him, we felt completely comfortable, and he captured every organic moment we wanted."
Two films. One is the emotional hit - a film that puts you straight back in the room. As long as it needs to be, not a second longer. The other is the full day, preserved. Every usable moment I filmed, in order, so nothing is lost to the edit. The film brings you back. The archive lets you stay.
My edit, my instinct, my read of your day. Graded, set to music, no fixed runtime. Some films are five minutes. Some are fifteen. It depends on what unfolds.
Every usable, raw moment in the order it happened. One camera, one timeline. Not graded, not stylised. Just the full day, preserved. Nothing hits the cutting room floor.
Leicestershire's central location makes it accessible from most parts of England. The county's venues spread across rural countryside and market towns. Plan travel carefully and allow time for location scouting at venues you have not filmed at before.
Light here follows typical English Midlands patterns. Spring offers clarity and crisp mornings. Summer extends evening light and requires management around midday positioning. Autumn brings warm tones that work well on stone and brick architecture. Winter is lower and more dramatic. Multi-camera ceremony coverage works well at most Leicestershire venues because you want ceremony detail, guest reactions, and venue context.
Colour grading should be restrained. Leicestershire landscape and venue architecture have honest, unpretentious character that works best when enhanced rather than transformed.
If you are marrying in Leicestershire, share your venue details and I can discuss what to expect.
Send your date, venue, and the collection you're leaning towards. If you're not sure, just outline your plans and I'll suggest the right approach. I'll come back to you personally within 24 hours.