

East Riding of Yorkshire divides into three landscapes: the Wolds to the west (rolling chalk downs that rival the Sussex South Downs for drama), the flat Vale of York in the middle (working agricultural land, river valleys, quiet and spacious), and the coast to the east (working harbours, seaside towns, dramatic coastal light). The stone here is substantial Yorkshire stone - grey, weathered, honest. Villages cluster around Norman churches and Georgian town squares. Agricultural buildings have been converted thoughtfully into wedding venues, often retaining the working character of the landscape around them. Light is generous, especially in summer, and the sky is rarely blocked. A wedding videographer in East Riding works with honest materials in open landscapes.
I'm Chris Oxley. I film weddings at country houses and private estates across the UK.
I started this because when I got married in 2015, we didn't have a videographer. I wanted to build something I wished had existed for us. Films that hold up years later. A real record of a real day, not a montage of prompted moments.
I handle the consultation, the filming, the edit, the grade, and the delivery. Fifteen weddings a year, and I'm personally at every one.
Recognition: TWIA Regional Finalist
Venues Include: Grantley Hall, Froyle Park, Storrs Hall, Brympton House and 15+ leading venues

Couples probably from Yorkshire originally, or moving here for work and marrying where they've chosen to live. Guest lists mix city professionals and rural family. They've picked a venue because it sits properly in the landscape, not despite the landscape around it. They're comfortable with Yorkshire weather - drizzle, wind, changeable skies. They value space and drama more than quaint perfection.
Many wedding videographers arrive with a shot list. I don't. I arrive early, stay quiet, and pay attention. The film comes from what actually happens. I might offer the occasional quiet prompt when it matters, but I'm not staging moments or running through the same poses as everyone else.
I tend to work with couples based in and around London who want something honest. A real record of a real day. Not a highlight reel built from the same five moments as everyone else's.
I film fifteen weddings a year. That number lets me edit every film personally, respond to every email myself, and still show up fully present on your day. Every frame graded and cut by me. No outsourced editing. No house style.
Weddings per year, by design, not accident
A single point of contact — always me
Years filming at UK country houses and private estates
"We don’t even know where to start! Hiring Chris to shoot our wedding video was the BEST decision we made for our wedding. From the first meeting we had to discuss his style and approach, we knew we were on to the right person. Chris’ attention to detail is parallel to none."

"We weren’t originally going to get a videographer but it was worth every penny. The whole day is so much to process that you forget bits after. Having this video to treasure forever was the perfect way to cure the wedding blues."

"Before meeting Chris, we weren’t sure how to appear on film. After working with him, we felt completely comfortable, and he captured every organic moment we wanted."

Two films. One is the emotional hit - a film that puts you straight back in the room. As long as it needs to be, not a second longer. The other is the full day, preserved. Every usable moment I filmed, in order, so nothing is lost to the edit. The film brings you back. The archive lets you stay.
My edit, my instinct, my read of your day. Graded, set to music, no fixed runtime. Some films are five minutes. Some are fifteen. It depends on what unfolds.
Every usable, raw moment in the order it happened. One camera, one timeline. Not graded, not stylised. Just the full day, preserved. Nothing hits the cutting room floor.
The Wolds are exposed to wind - schedule ceremony in a sheltered building or close to natural windbreaks. Outdoor ceremonies may need audio backup.
The chalk geology drains quickly, so venues are usable immediately after rain without muddy ground concerns.
Vale of York light is softer than Wolds light due to agricultural haze. If filming at two venues, be prepared for different light quality at each location.
Marrying in East Riding? Let's film the landscape you've chosen.
Send your date, venue, and the collection you're leaning towards. If you're not sure, just outline your plans and I'll suggest the right approach. I'll come back to you personally within 24 hours.